Reviewinator |
Starring |
Adrienne
Barbeau
Jamie Lee
Curtis |
Director |
John
Carpenter |
IMDB Page |
Link |
US Opening |
2/8/1980 |
Rated |
R |
Genre |
Horror |
Features |
Commentary Track
Dolby 5.1
Two "Making Of" Featurettes
Outtakes
Storyboard-to-screen Comparison
Promo Gallery
Trailers/TV Spots |
Buy DVD? |
Yep |
The appeal of the modern "horror" film is in its ability to reach
us on a subconcious level, to prey upon fears we weren't sure we
had. M. Night Shyalaman is building a successful career for himself
based on this primitive theorem. The surprise hit Blair Witch
Project instilled its fear through intimate perspective, bonding
itself to its audience through the eyes of its tormented characters.
Though this may seem a new wave in modern "Freak Chic," in truth
the approach dates back to the very advent of the genre. F.W. Murnau
created overpowering emotion in silent black-and-white in the Expressionist
film Nosferatu. Hitchcock achieved immortality with a shower
curtain and a wig in Psycho. In these and many other instances,
the ontology of horror is the connection of the audience to the plight
of the everyman. A prime example creeps in from the sea in John Carpenter's The
Fog. Newly available on DVD, Carpenter's 1979 paradigm of understated
terror places it everymen, in this case the town of Antonio Bay,
against a supernatural fog with a long-forgotten vendetta. The film
features Jamie Lee Curtis, her real-life mother Janet Leigh, and
Carpenter's then-wife Adrienne Barbeau (yeah... that woman in the
white gown in Swamp Thing) as the townsfolk bent on uncovering the
secret of The Fog.
The Fog is essentially a campfire ghost story. Indeed, the film
begins with masterpiece thespian John Houseman in Alan Hale garb
recounting the origin of the ghostly vale to some impressionable
and as-of-yet-emotionally-unscarred young campers. Like those classic
tales, the protagonists of the narrative could very well be you or
me. Combined with complex portrayals by Barbeau and Curtis and Hal
Holbrook as a priest whose conscience is also haunted, the intended
victims of The Fog reach out to us like next-door neighbors pleading
for solace from a storm. Again and again, Carpenter has expressed
his mastery of placing familiar and unremarkable human characters
against seemingly insurmountable otherworldy odds. Like Laurie Strode
stalked by Michael Myers or R.J. MacReady trapped in the Antarctic
wastes with an all-consuming alien virus, we become who we watch
and the byproduct of that synthesis is Fear. While perhaps not quite
as effective in this right as Halloween or The Thing, The
Fog expertly continues this classic tradition with some silhouettes
and some dry ice.
What makes The Fog fall shy of the towering Carpenter benchmark
is its scattered approach to its ensemble narrative and a rather
anti-climactic ending. Not quite enough time is spent with each of
the characters and their convergence and final tribulation at the
end of the film is subsequently met with little fanfare. In addition,
the denoument that explains the true motive and story behind the
Fog's unhuman thirst is sketchy and overly brief in its revelation.
These minor weaknesses detract little from the creep factor of the
film and its lasting effect on viewers.
In those respects Carpenter has expertly succeeded. Few who sit
down with this DVD on a dark night alone will be unable to pass by
or begrudgingly pass into another spectrally encloaking fog bank
without a second glance, without a shudder... without wondering just
what might be in there with you.
Aside from Carpenter's finely crafted film itself, available in
both widescreen and pan-and-scan (which should be viewed as punishment
in any westernized civilization) and Dolby 5.1 surround sound, the
DVD contains a number of bonus features. There is a very informative
commentary track by the smoky-voiced maestro himself John Carpenter
and co-writer/producer Debra Hill (this commentary being a bit more
informative and focused than the overly informal commentary track
for Big Trouble in Little China). There are also two short
documentaries: the newly constructed and highly entertaining "Tales
from the Mist" which features recent interviews of director, cast,
and crew intercut with behind-the-scenes footage, and "Inside the
Fog" which was originally produced in 1980. There are two collections
of outttakes, one being the classic collage of unremastered line
flubs and offhand moments of filming, the other being an easily detectable
easter egg of Fog Creation footage (just keep pressing down on the
Bonus Features Menu until you see The Eyes). There are also interesting
although largely forgettable storyboard-to-screen comparisons and
a production gallery of posters and promo items.
MGM has put together a great package with The Fog DVD, one
unquestionably worth picking up for anyone who loves John Carpenter,
or who just loves a good scare. Grab the DVD and perhaps a significant
other, dark night, lights out... you get the idea. Chances are you
make not look at those mysterious low-lying clouds of vapor in quite
the same way again.
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